Anil Kapoor landed a role that was first offered to Kamal Haasan, actor recalls how Raj Kapoor brought it together: ‘Raj saab said I could do this’ | Bollywood News

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3 min readMumbaiUpdated: Feb 12, 2026 05:35 PM IST

Back in the 1980s, Anil Kapoor was known for his ‘jhakaas’ image, thanks to films like Ram Lakhan and Tezaab, so when the actor decided to change gears and venture into an unconventional relationship drama with K Vishwanath’s Eeshwar, the film industry was surprised. The film was a remake of Vishwanath’s Telugu cult classic Swathi Muthyam. However, Anil wasn’t the first choice for the film.

Anil, who recently graced the 12th edition of Expresso by SCREEN, revealed that the film was initially being planned with Kamal Haasan, who had also starred in the original. In a conversation with Saurabh Dwivedi, Editor, Indian Express Hindi, the actor shared that veteran filmmaker Raj Kapoor was first planning the Hindi remake as producer, and Kamal as the lead hero.

“Raj saab wanted to make this film with Kamal Haasan. He had come to my house and told me about it. He also said that I could also play such a role, but he was planning to make it with Kamal Haasan ji.” However, things didn’t go as planned. As Anil revealed, “I don’t know what happened; it didn’t work out, and I got to know that the film itself wasn’t being made.” He added that he then pursued K Vishwanath. “I went after him, and that’s how I eventually did the film.”

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In the same conversation, he also revealed that some of his close associates, including Shekhar Kapur, who had directed him in Mr India, weren’t sure if he should do the film, as it went against his established image. “I remember Shekhar ji came to meet me and said, ‘Why are you doing this kind of film? It’s very much against your image.’ But I said this was my opportunity to play such a character and work with K Vishwanath.”

He also shared that Dustin Hoffman’s performance deeply influenced him in Rain Man. “I was in love with that film and Dustin Hoffman’s performance. That was a great role, and I always wanted to play a similar character someday. He was par excellence; it was unreal. He won the Oscar for that film. So that was my inspiration.”

The presenting partner of the event was AU Small Finance Bank, in association with The Taj Mahal Palace, Mumbai, Maharashtra.

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The 12th edition of Expresso by SCREEN will be streamed live on the Indian Express YouTube channel on February 14 at 8 pm.

Anas Arif is a prolific Entertainment Journalist and Cinematic Analyst at The Indian Express, where he specializes in the intersection of Indian pop culture, auteur-driven cinema, and industrial ethics. His writing is defined by a deep-seated commitment to documenting the evolving landscape of Indian entertainment through the lens of critical theory and narrative authorship.
Experience & Career
As a core member of The Indian Express entertainment vertical, Anas has cultivated a unique beat that prioritizes the “craft behind the celebrity.” He has interviewed a vast spectrum of industry veterans, from blockbuster directors like Vijay Krishna Acharya, Sujoy Ghosh, Maneesh Sharma to experimental filmmakers and screenwriters like Anurag Kashyap, Vikramaditya Motwane, Varun Grover, Rajat Kapoor amongst several others. His career is characterized by a “Journalism of Courage” approach, where he frequently tackles the ethical implications of mainstream cinema and the socio-political subtext within popular media. He is also the host of the YouTube series Cult Comebacks, where he talks to filmmakers about movies that may not have succeeded initially but have, over time, gained a cult following. The show aims to explore films as works of art, rather than merely commercial ventures designed to earn box office revenue.
Expertise & Focus Areas
Anas’s expertise lies in his ability to deconstruct cinematic works beyond surface-level reviews. His focus areas include:

Auteur Studies: Detailed retrospectives and analyses of filmmakers such as Imtiaz Ali, Anurag Kashyap, and Neeraj Ghaywan, often exploring their central philosophies and creative evolutions.
Cinematic Deconstruction: Examining technical and narrative choices, such as the use of aspect ratios in independent films (Sabar Bonda) or the structural rhythm of iconic soundtracks (Dilwale Dulhania Le Jayenge).
Industrial & Social Ethics: Fearless critique of commercial blockbusters, particularly regarding the promotion of bigoted visions or the marginalization of communities in mainstream scripts.
Exclusive Long-form Interviews: Conducting high-level dialogues with actors and creators to uncover archival anecdotes and future-looking industry insights.

Authoritativeness & Trust
Anas Arif has established himself as a trusted voice by consistently moving away from standard PR-driven journalism. Whether he is interrogating the “mythology of Shah Rukh Khan” in modern sequels or providing a space for independent filmmakers to discuss the “arithmetic of karma,” his work is rooted in objectivity and extensive research. Readers look to Anas for an educated viewpoint that treats entertainment not just as a commodity, but as a critical reflection of the country’s collective conscience. … Read More

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